Daily Prompt – Circuitous Paths

A stranger knocks on your door, asking for directions from your home to the closest gas station (or café, or library. Your pick!). Instead of the fastest and shortest route, give him/her the one involving the most fun detours.

Shelley opened the door, revealing a young woman standing on the porch. She wore her hair back in a ponytail, tucked underneath a trucker-cap. She wore a low-cut white t-shirt with a graphic print on it. She had a flannelette shirt tied around her waist, and a pair of drop-crotch pants leading down to her hi-tops.

‘I’m sorry to bother you, but I’m trying to get to Falcon Dance Studio’s for an audition, and I’m so completely lost – I can’t work out where I’m going. I was wondering if you could give me some directions?’

Shelley noticed the paper map partially crumpled up in the girls hand, and wondered why she didn’t have a phone on her. The girl noticed her looking at her hand, and interjected, ‘Yeah, I also forgot my phone. I got the map from the servo a couple of blocks away, but I must be looking at it the wrong way.’

Shelley paused for a moment, contemplating whether or not to assist this girl, or whether to just close the door in her face. She didn’t want to get involved, and for all she knew, it could be a scam. The minute she unlocked that screen door, this girl could potentially do anything. She didn’t want to risk it. ‘Yeah, Falcon… I’ve heard of that, I’m pretty sure it’s over on Calliter, right?’

The girl fumbled with her map to look at some words scrawled on the back of the map. She mumbled briefly to herself and confirmed, ‘ahhh, yeah, yeah. Calliter. 430. Near Rockwell.’

‘Right, right. Okay, so what you want to do is, from here, turn right and head down to the end of the street, then take a left,’ The girl quickly pulled out a pen and began scribbling furiously on the piece of crumpled paper. Shelley didn’t pause, ‘Walk half a block, cross the road and see Gary at the Coffee Cart. Tell him Shelley sent you, and he’ll look after you. You need some caffeine because you’re clearly stressed. Now, from there, turn around, and walk back the half a block, this time turn left onto Grosvenor and walk two blocks down. On the right hand side there will be a convenience store. You’re going to need to stop in there and get yourself a bottle of water, a sports drink and an energy bar. But only have half of each. Remember that! Only half! Tell Rob to put it on Shelley’s tab. Exit the store, turn right, and continue down for another block. As you walk past the green stairs, turn right down the alley way. Follow it’s trail all the way to the end, be sure to check out the walls of the buildings as you do. Cross the road, just to the left you’ll see a garage door, with another regular door next to it, there will be a pin pad… enter the code 3-9-4-1-7. This will open to a carpark. Walk through the carpark, and down the stairs. Ask for Bobbi, and ask her for a proper map. Tell her Shelley sent you. Walk out of the building, cross the street, down the alley to an opening. You’ll see a couple of piles of wooden pallets, go to the right, and follow that alley – You’ll come to the street. Turn around, look up.’

The girl looked at Shelley, stunned and confused.

‘Did ya get all of that, hon?’

‘Um… I think so…’

‘Do you want me to repeat it?’

‘Um… no, Im pretty sure I got it… thanks… I think. Have a great day.’

‘You too, hon.’

The girl bent down to pick up her bag, and as she hoisted it over her shoulder, she paused and smiled at Shelley. ‘Oh, and good luck with your audition, you’re gonna kill it!’

As she watched the girl walk down the stairs to her front path, and head off down the street, she closed the door with a small grin on her face. As she turned to walk down the hallway, she saw her young son, Luke, standing in the doorway. ‘Why didn’t you just offer to drive her?’

‘Because darling, if she keeps relying on other people, she’ll never become independent, and responsible. If she gets lost and misses her audition, then she’ll just have to learn the hard way. Life isn’t easy, and life doesn’t always go the way we want it to.’

‘But mummy, you’re going to see her there. It’s your studio. You could have just driven her there. She seemed nice.’ They stood there briefly looking at each other in silence, before Christopher walked off. ‘Mummy, you’re really mean sometimes.’

‘Oh darling, one day you’ll understand when you’re older. Now, get your tap shoes, and your drink bottle or we’ll be late.’

http://dailypost.wordpress.com/dp_prompt/circuitous-paths/

Daily Prompt: Walking on the Moon

What giant step did you take where you hoped your leg wouldn’t break? Was it worth it, were you successful in walking on the moon, or did your leg break?

Please allow me to preface this by pointing out that I spent almost an hour writing this post yesterday, only for my auto-save to not work, resulting in me losing my entire post. Such a pain in the bum, so I’ll try and recreate it from memory again… Fingers crossed

I initially struggled when I thought about this, and spent a lot of time trying to come up with a scenario, but I thought that I would write about one of the dance auditions I went to when I was younger.

It was during my year of full-time dance, and I had never been to an audition for an overseas gig before. I’d only ever auditioned for dance schools and that was stressful enough. I didn’t really have much interest in the actual gig (which was for an overseas theme park), but I wanted to do it for the experience, and so I could determine what areas I needed to improve on for any future auditions that I might have.

So I turned up to this audition, not really knowing what it was going to be like and I walked up a few flights of stairs which opened up to this giant space – full of guys. Now for anybody in the commercial world of dance, you’ll know that all the guys are usually tall and good looking and quite well built.

and I was pretty much the opposite. Well, except for the height.

When I walked in, it was, quite literally, one of those moments where everybody in the room completely stops, the music stops, and everybody stares at you. Although it was only a brief moment, it felt as though time had completely frozen. I walked around all the people sprawled out across the ground and found a small space in the corner, and started to stretch.

Everybody else was already sitting around in their little cliques, and most of them seemed to already know everybody else. Nobody paid me any attention – even when I tried to say hi to a couple of people, if they didn’t completely ignore me, they either brushed me off with a one-worded answer, or just advised me they didn’t want to be disturbed.

One woman came out and called all the girls into one studio for a vocal audition and the rest of us, the majority, were all guys who were ushered into the main studio. From there we were all split into smaller groups to make it easier for the judging panel to watch each of us a lot more closely.

I quickly realised that even when our group wasn’t performing, we were all standing around the studio watching the others, which really threw me. I had anticipated that everybody else would leave the studio , and we’d be called in group by group, but clearly, I was wrong.

First up was out jazz audition. We learnt a small routine which was actually quite fun, and when danced as a group, it looked incredible. I quickly realised that I wasn’t actually as bad as what I had initially thought. Watching some of the other guys trying to learn the chorey, quickly gave me an idea as to who was a threat, and who wasn’t.

When we started to perform in our groups, we also got to watch the others closely, and I was amazed that there was such a considerable number of these so-called dancers who couldn’t actually dance. I mean it was Jazz. Everybody needs to be able to cut it when it comes to jazz – or maybe I just have high expectations?!

So our group was somewhere in the middle, and everybody was watching everybody else like hawks. These bitches were hungry and we’re scoping out the competition, just like I was. I got up to dance and purposely stood in the back row so as not to come across as being an ‘attention seeker’. The music played and two of the guys in the front row made a massive fuck up, so they stopped us and made us start again.

Groan.

The music started again and it was go-time. Just as quickly as we started, it was over. Almost got through it without making any mistakes, but I made one or two small mistakes, but nothing compared to some of the other guys. Compared to some of them, I was actually doing pretty well. At one point as I was dancing, I caught myself in the mirror as I nailed some complex move, and as I finished it, in my peripheral vision, I caught the eyes of one of the judges who, I thought, was watching me. And as I finished this particular move, she got a smile on her face, and then put her head down to write something… like she was secretly rooting for me, perhaps?

Everybody was then ushered out to the waiting room, where some people took the opportunity to have a bite of some food, and down some sports drinks. One of the people from the judging panel said that they were going to begin the callbacks, beginning with Ballet. Then, one by one they started calling out numbers of who they wanted to return.

It was nerve-wracking having to sit there and watch peoples reactions. Some were really humbled when their number was called. Others were more celebratory and flaunting of the fact. The ones who didn’t make it though either got really angry about it and stormed off in a huff, or they just accepted it for what it was. There were quite a few though who got really upset. I think they may have been the ones who were really hoping to get the job. Then whilst I’m sitting there watching everybody else’s reactions, I hear something, but I can’t quite work out what it is. Then I hear it again.

It’s me. My number. I’ve made it through the first round of callbacks!! I couldn’t quite believe it. For somebody who felt so intimidated at the beginning, it would appear as though that was slowly changing. However, I wasn’t necessarily going to get too excited just yet. It was time to get my ballet on.

We went back into the studio to learn a rather basic adage., and then split into new groups. Just like before with the Jazz audition, the ballet audition really gave some of us the perfect opportunity to show the others how it was done. I was really quite shocked that so many of these guys were so terrible at ballet. Here I was thinking that this was the foundation of all dance training – obviously just not theirs. There was only a few guys who really stood out, and even I was surprised at how well I managed with it. But I think I got lucky, because the other guys in my group were pretty bad, so they made me look even better. So I’m not sure if I stood out for actually being talented, or if it was because I was the best of the worst.

After we had finished, we were put back in the holding room, and they made the next round of announcements. Again, my number got called. ‘You have 5 minutes before you come back for your hip-hop audition’.

YES!!

This was right up my alley. Suddenly, the number of guys had dramatically dropped. This was starting to get a bit real, and as much as I didn’t want to pay any attention to it, there was a tiny, tiny part of me thinking that there was a possibility, something might eventuate from all of this.

We went back in for our hip-hop audition, and surprisingly, the routine was short, but quite technical. I found it quite challenging. I went over it and over it and over it, but it just wasn’t sitting well with me. Suddenly the groups had changed order and my group was now second.

FUCK.

I only had a couple of minutes before I had to dance again, and I was really feeling nervous. I felt as though I had somehow managed to prove myself, and I couldnt mess it up now. The music started, and my group started dancing. When the music finished, I let out a giant sigh of relief, but it was quickly interrupted by the judging panel announcing that they wanted us to do again, but they wanted the front and back rows to swap. I was in the back row. I wonder if they want to watch me?? Oh, don’t be so stupid, why would they? SO the music began and I found myself back in the zone. In the corner of my eye I could see the same female judge watching me, then writing down some stuff on paper, and then talking to the judge next to her. And again, when I finished the routine, I caught her smiling. I tried not to think anything of it, but I couldn’t help myself.

As far as I knew, that was the end of the auditions process. I felt relieved, and was looking forward to getting out of this confined space full of stress and tension and hyper-emotional people. Just as I started to re-pack my bag, a lady walks out to us and says that there’s been a change in the audition, they were doing one last round of callbacks. Again, she started to read through the numbers, and only 4 guys got cut, the rest of us were all through again. I actually couldn’t believe that I’d made it this far. It was quite surprising, given that I hadn’t actually worked professionally in this industry, whereas most of the people here had, or still were.

We sat there looking a bit puzzled, as we didn’t really know why they were having a final cut? Maybe they wanted us to sing? Or do a reading? Nobody knew. The lady left briefly, and then returned to say, ‘I’ve just received confirmation that they would like to see you complete a Tap audition. We understand this is last minute, and understand you probably don’t have your tap shoes with you, but if you could, we’d love to see what you’ve got.’

Now, that’s what I call a **PLOT TWIST**

I instantly knew that I was out. I couldn’t tap to save myself. I can do a couple of basic steps, but other than that, I’ve got the skill of a monkey rollerskating on an oil slick. A couple of people cracked the shits, saying that this was ridiculous and unfair, and they stormed off. A couple of others brought their tap shoes with them ‘just in case’. I followed everybody back into the studio, and they made us line up across the studio side-by-side. Everybody was feeling nervous, because we didn’t know what to expect now. I looked at the lady who I’d made eyes with earlier, and she gave me a quick little wink – which, really, could have have meant anything, but she only did it to me, so I felt a tiny bit better.

They explained to us, that they wanted to see roughly 16-counts of some tap skill, to try and judge what level our expertise is. It could be anything we want, as long as it was between 16 and 32 counts.

Shit. Oh shit. Oh shit shit shit shit shit shit.

Knowing that tap was the absolute worst style for me was already bad enough, knowing that I was now going to be last (!!!) made everything even worse. They’re going to go through us one at a time, and all these guys are going to show off their fancy foot skills and then they’re all going to watch me completely ruin everything. Maybe I should just leave? There’s no way I’ll get anywhere now. It’s a guaranteed no. I’ve stil got a chance, perhaps I should just thank them for the opportunity and excuse myself.

I opted not to give in so easily. I’d spent so many hours here already, I may as well see it through until the end, and let’s face it, I had no intentions of actually getting a job out of this, I was only here for the experience, and I should make sure that I get the whole experience, regardless of how uncomfortable or awkward it gets. That’s what it’s like in this industry. It’s cut-throat and you just have to roll with the punches. No time for you to be self conscious and weak. We all watched each other as the tap-a-tap-a-tap-a progressed down the line. The whole time I kept taking bits and pieces from everybody else’s ‘routines’ to create my own little series of steps… and well, in theory it worked in my head.

However, when I had to actually perform it, it was a completely different story. Turns out, I had no fucking idea of what I was doing. I’d even managed to completely forget even the most basic of basic steps. It was just a complete disaster. I was so humiliated, but all I could do was laugh.  There were a few concerned looks my way, but by this stage, I was kinda over it. I’d achieved everything I had come to do, and made it through to the final cut. The lady on the panel looked at me with a small grin and shook her head slightly. The guy in charge of the audition thanked everybody for staying, and for being so gracious and doing the tap audition, and that those who were successful would receive details via email later that evening.

We filed out of the studio into the holding area. People got changed; some called their friends / family; a couple of the guys walked off crying. I went into a toilet to change my clothes, put on some deodorant and wash my face. I let out a big sigh, picked up my bag and headed down the stairs. I got outside and was almost blinded by the blaring sunshine. I had almost forgotten what the weather was like because I’d been in fluoro lighting all day. I stood there on the steps of the building trying to work out what to do with myself for the rest of the afternoon. One thing that couldn’t be denied was that I was STARVING!! But having just stressed out and danced my arse off, I wanted to eat my feelings. The most important choice was whether I wanted to go buy half a dozen pastries, or if I wanted to get a tub of ice-cream and hire some dvd’s.

I was enjoying the sunshine, and whilst thinking of the pro’s and con’s of what I wanted, I grabbed my iPod and started untangling my supposed ‘tangle-free’ earphones, when I heard a group of people coming down the stairs. It was the judges from the panel. The lady that had smiled at me a few times noticed me and said goodbye to the others, before she started walking towards me.

…ohmygodohmygodohmygodohmygod…

‘You were quite an interesting one to watch today. You did a really good job’

‘Um… thanks?’

‘None of us have seen you before, so you’re obviously one of the new kids on the block, so to speak’

‘Yeah, although I don’t think I have ‘The Right Stuff’ hehehe.’

‘*laughs* Good one. Listen, I’m glad that I bumped into you, I just wanted to say that I really enjoyed watching you today. You really did a great job. Although you were nervous, you danced with passion and authenticity. I don’t actually know anything about you, but a few of us couldn’t stop watching you… even when you weren’t dancing, we were still watching you..’

‘Oh god, why? I was probably picking my nose or something…’

‘Eww, no, you just, there was something about you. There’s a light within you that just makes people want to watch you dance. You need to perform. You need to continue on this path. It’s just so refreshing to see somebody different to the same people we see all the fucking time. It just gets boring, and we tune out, because we’ve seen them all before. They all look the same. Like clones. Except you, you look nothing like them. And you’re clearly talented. There were people with a fuck load more experience than you who got knocked out in the first round, and yet, you made it all the way. We just wanted to see more.’

‘Really?? I don’t know what to say to that’

‘Although your tap was fucking abysmal. One of, if not, the worst of the day! Which was suuuuch a fucking let down, because we were expecting some awesome tap routine from you, but we didn’t get it.’

Ha! yeah, well, tap certainly isn’t my favourite style. Actually, I really don’t like it. I have to do it as part of my course, but I’m terrible at it. My ankles don’t seem to want to let me do it. I just can’t get it. And well, I’ve only been doing tap this year for the first time EVER! When the other lady said we were going to do tap, I almost walked out because I knew that I would bomb out on it, but I wanted to be the person who didn’t just give up when it got too hard. At least I can say I completed the audition. I may have completely mucked it up, but at least I finished it, AND I made it to the final callback, which completely shocked the hell out of me, so for that, I must say a big thankyou to you and the rest of the panel.’

‘Yeah, you need to really work on your tap. It’s not a major audition component, but some auditions require solid tap skills. Not all of them do, but it’ll work in your favour if you can get them up to speed. It’s going to work in your favour if you do, trust me. You’ve already got that spark in you, like an x-factor, but if you can do a good, solid, clean, tap solo, you’ll be more of a threat. I’m glad that I got to meet you, you actually made my day.’

Seriously? now that’s something you don’t hear everyday!’

‘Hopefully we’ll get to see you again sometime soon. I’ve got your details, and so have some of the others, so if we see you on the audition list, we’ll happily make sure that you get an audition. BUT WORK ON YOUR TAP FOR FUCK’S SAKE!! GOD, THAT WAS SUCH A LET DOWN!!’

I’ll try, I can’t promise though. How about if I do audition next time, we just skip the tap altogether, and you just let me do a good job with everything else instead?!’

We both laughed and said goodbye before walking in opposite directions. I think that was one of the most humbling experiences I’ve ever had in terms of dancing. It felt a little weird to be honest. As a dancer, you rarely hear somebody praise you for your talent. Most of the time you just keep getting told that whatever you did could have been better. You get told about all the flaws and imperfections of your talent – you need to work on your turnout, you have bad feet, you’re not flexible enough, you didn’t jump high enough, you need to work on your spotting, your arms are too sloppy, you have ugly turns, your back is too swayed, you look like your trying too hard etc etc etc. That’s just something that you have to get yourself used to very quickly. You need to have a thick skin if you’re going to pursue something like dancing, because everybody will pick you apart for every little thing that isn’t 100 percent perfect. That’s just how it is. It’s not nice. It’s not fair. But that’s how we improve.

For somebody to then turn around and have that kind of positivity and praise for my talent is almost completely foreign, and something that I have always struggled to accept and deal with. I’ve always been quite humble with my dancing. I’m not denying that I’d be quietly confident about my talent, but I wouldn’t be the one displaying the ego telling people that I’m the best and everybody else can just suck it. But for somebody like her to say something like that to me, felt amazing. Audition judges are always seen to be quite hard, and extremely blunt in their feedback or comments, so for somebody to say that they loved watching me dance just blew my mind.

I was on cloud-nine for the rest of the afternoon, and I practically inhaled a tub of ice-cream when I got home and enjoyed every single spoonful!!

http://dailypost.wordpress.com/2014/02/23/daily-prompt-moon-walking/

Dec 11 – The Road Less Travelled

Tell us about a time you took the less travelled path.

So, it’s taken me almost a week to write this post. Everytime I come back to it, I try to think of a possible response to this, and I really struggle.

I read some of other blogs and what they had to say, and I can’t really relate to them because I haven’t experienced it personally.

So, what the hell can I write about? I’ve had a pretty normal, average life. I haven’t really faced any major adversity, nor have I had to deal with major decisions.

But then I came back to it today, and thought some more about it. And although it’s slightly relevant, I’d say that my road less travelled was moving out of home.

I was 19. I’d been living in a country town with my mum and my brother. I didn’t get my act together soon enough after year 12 to audition for dance schools, so I had to quickly work out what I was doing for the following year. I enrolled into a TAFE course studying I.T., and soon enough that fell by the wayside in order for me to completely immerse myself in musical theatre and even more dance tuition. I just wanted something to fill my days.

Later that year I made the decision that I couldn’t stay in this town any longer. I refused to turn into most of the other people that were in my social circle. I had to get out. I’d already discovered my independent nature, and knew that if I stayed for another year, it would break me and I’d never leave.

I spent my focus on working towards my dance school auditions in both Sydney and Melbourne, which meant a couple of trips to both places. It was during these auditions, I very quickly came to the realisation, that although I was a very talented dancer back home, I was NOTHING compared to these city dancers.

I did masterclasses and round after round of callbacks. Dancing and styles that I’d never seen before, but were apparently normal here in the big city. I felt so sheltered and terrified, and yet, my eyes felt like they had dilated to the size of dinner plates, because I’d now got a taste for real dancing, and sweet fucking jesus, I WANTED MORE!!!

However, my first auditions were in Sydney for a couple of schools. I thought I was so prepared. It just turned out to be quite a fucking failure. During one of the callbacks, I was standing at the back of the studio looking at all these dancers, and I realised that I had absolutely no chance of making it here. If I really wanted to have a shot, I’d have to spend the next twelve months here just taking classes every single week to really learn how to dance the way they wanted me to.

It made me realise that all the training I’d done, all the work I’d put into my solo pieces, and all my technique sessions, and the countless hours and pain, and exhaustion, and sweat, and blisters counted for absolutely fucking NOTHING.

Having this realisation isn’t a great feeling. Having this realisation during your audition most certtainly is one of the worst things a performer can ever experience. I ended up standing down the back, dancing through a routine, crying my eyes out, wondering why I had even bothered staying.

It’s hard to concentrate on your triple-chaine-triple-pirouette combo when you have tears flying off your face whilst you’re trying to spot your turns. There were tears flying in every direction and I could seem them all getting airborne, as if everything was happening in slow motion. I finished my combo, and the panel thanked us all and left the room.

A minute or so later, one of them came back in and walked right up to me, ‘Come with me!’

She lead me out of the studio, with EVERYBODY staring at me. I had no idea what was going on.

‘I don’t know what’s wrong with you, but you need to get your shit together. If you don’t want to be here, then stop wasting your time and our time, and pack your stuff and leave. If you can’t handle the pressure then leave. If you’re going to spend the rest of the afternoon crying, leave.’

Um… wow.

‘I’m so sorry. I really am. I just, I don’t know what’s wrong with me. This is really overwhelming from me. I’m from the country, and I’ve never done…’

‘Yes, we can tell. Your technique is poor, and you lack proper training. You said you’ve been dancing for years, but you’ve been wasting your time. You’ll achieve nothing if you don’t expose yourself to the REAL world of dance. This is it. This is what it’s like. If you can’t handle that, then so be it. But you’re obviously here today for a reason. And if we didn’t think that you had serious potential, then you wouldn’t still be here’

‘But, but I…’

‘Look, I’m not supposed to be saying anything, but we’re all watching you. I was once like you, a country kid in the big city, feeling majorly overwhelmed because I’d had no exposure. I get you. I was you. I see something in you. They see something in you. Even the rest of the people on that floor are watching you – we see their snide little comments, and how they talk behind your back. But I’m telling you, if you don’t fucking pull it together, you won’t make it. Here or anywhere else. Do you understand?’

Yes, but…’

No ‘buts’. Go wash your face, you look fucking terrible. Change your top, and get back in there. You’ve got three-and-a-half minutes before we re-commence. If you aren’t ready then you need to leave now.’

I ran off to get another top, and ran into the bathroom.

And vomited.

Everywhere.

And had one of those moments…

And I went back into the studio for the next dance round. I walked in and looked at everybody on the panel and they all smiled at me. I took a sip of water and wiped my face. I stood up and turned around to look at all the other people in the studio and they were all looking at me.

I made it through the next round, and then got knocked out of the following callback. The judges all said that I had great potential and that I had an ‘X Factor’ when I danced – they couldn’t keep their eyes off me. Whether they were just blowing smoke up my arse, I’m not sure, but each of them said that they would love to see me in the future in their classes, which was great.

I felt good at what had happened. I realised that I wasn’t ready for dance school at all, and I really needed to work my arse off.

I got back to my hotel room…

Knowing that I had another audition the next day, I really didn’t know whether to put myself through such an emotionally exhausting day again… but it was experience. I wanted to just pull out and go home and never speak of it again, but I’d come too far, paid too much money and worked too hard to not do the audition.

The next day, I was introduced to contemporary. I had never danced that style. When we found out that the focus of the dance audition was ballet and contemporary, I was ready to throw in the towel there and then, but I forced myself to stay instead.

I learnt a lot that day. A lot about myself. I learnt that no matter how prepared you think you are, it’s not enough. No matter how good you think you are, there are always going to be people better than you. It was a very blunt reality check, but I was okay with it.

A couple of weeks later I was in Melbourne for a dance school audition. In the weeks leading up to it, I’d gone back to sydney two weekends in a row to spend all my time doing classes at various places. I needed exposure. I needed experience.

When I got to my Melbourne audition, I was feeling even worse than I was in Sydney. From the moment I saw the building when I was walking towards it, I had butterflies in my stomach.

I made it through to the final call-back round.

There was such a difference between the Sydney dancers and the Melbourne dancers. It was strange. I actually felt quite confident in my Melbourne audition. But the judging panel were a bunch of steel-faced bitches.

And once it was all over, that was it. The last of us dancers slowly packed up our stuff, said it was nice to meet each other and we left. It was an anti-climax, and then my stupid brain kicked in on the way back to the hotel.

It was a very long wait for my letters to arrive in the mail. Not surprisingly, I got two rejection letters from the two Sydney schools. I then got an rejection letter from the school in Melbourne.

Shit just got real.

My dreams of dancing full-time had just gone down the toilet, and I was faced with the unsettling reality of staying where I was for another twelve months.

So I started looking into what I could do for the next year. Maybe I just move interstate and get a job so I can pay for dance training? Do I move to Sydney or Melbourne? I can’t stay here another year. If I don’t leave now, I never will.

A couple of weeks later I get a letter in the mail. I was a letter of offer. The school in Melbourne had somebody decline their offer – I was next on the list.

I did it. Granted, it happened by default, but it HAPPENED!! I was going to dance school. I was moving out of home. I was going to be leaving everything I know to travel to the big city and throw myself in the deep end.

That was 11 years ago, and I haven’t looked back.

However, most of my social circle from high school are still back home. Grossly overweight, either still living at home, or living with somebody they settled with. Some of them have a kid, some have two or three and it makes me sad.

It makes me sad because they just settled for what life gave them. They had no drive to actually go out and do something with their lives. They didn’t go to uni. They didn’t leave. They just became stuck into a life they settled for. There wasn’t any ambition to achieve something more. I sometimes felt sorry for them, but it’s what they chose for themselves.

I, on the other hand, got out. I wanted to explore life, and it lead me to Melbourne. And I absolutely love it.